• How does the sidebar “A Decade of Struggle” support the article? (Text Features)
The sidebar supports the article by providing background information about the Great Depression. It helps readers understand the events that Lange documented by explaining that the tailspin started with the crash of the U.S. stock market on October 29, 1929. Many businesses closed, people lost their life savings, and about one in four Americans were unemployed by 1933. People in the Great Plains experienced additional challenges. When farms began to fail because of the Depression, and then when severe drought hit the region, endless miles of soil dried up and were carried by the wind. It created a huge area called the Dust Bowl. The sidebar concludes by explaining that President Franklin D. Roosevelt’s New Deal programs helped give people jobs and that the Great Depression was mostly over by the end of the 1930s.
• What do you think Lange meant when she said that she took photos on the street “to see if I can just grab a hunk of lightning”? (Making Meaning)
Lange might have meant that she was hoping to capture a striking moment, like that of a lightning strike during a thunderstorm. A “lightning” moment might help Lange achieve her goal of using her photographs “to say something about the despised, the defeated . . . the helpless, the rootless, the dislocated.”
• Summarize the section “Like the Mona Lisa.” (Summarizing)
After Lange visited the pea-picking camp in Nipomo, California, the state rushed to send food to the migrant workers there. When the San Francisco News and other newspapers around the U.S. published her photographs, Americans were able to see what the lives of people who were struggling were like. Lange continued to capture the plight of migrants who were forced to move because of the Great Depression, along with sharecroppers who struggled to earn money farming on other people’s land. She also captured moments of everyday life, such as children playing. Lange stopped working for the government in the 1940s. She continued taking photographs until she died in 1965, but her images of the Great Depression remain her most famous. Migrant Mother is so famous that people have compared it to Leonardo da Vinci’s Mona Lisa, and a scholar says it “can help anchor our understanding of the past.”